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3 great ads I had nothing to do with: Noel Bunting

3 great ads I had nothing to do with: Noel Bunting

Posted on: July 6, 2023
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Noel (Hamilton) Bunting is chief creative officer at Publicis•Poke. She was previously executive creative director at neverland. Over many years in advertising, she has created campaigns for Dove, Volvo, Oreo, Canon, Febreze, the FDA, Jamaica Tourism and the United States Marine Corps at agencies that include Ogilvy UK, Adam & Eve/DDB, Grey New York, FCB and JWT. In 2013, she was named one of the Most Creative People in Advertising Right Now by Business Insider and One of the 30 Most Creative People in Social Media. Her awards include a Grand Prix Lion for the Oreo Daily Twist campaign.

Noel’s choices

Campaign Against Living Miserably “The last photo”

“The Last Photo” is a UK-wide campaign from suicide prevention charity Campaign Against Living Miserably (CALM), created with Adam & Eve/DDB in London, which aims to offer practical advice on what suicidal behaviour might look like and how to help loved ones you might be worried about.The campaign also aims to redress the “image” of suicide that we might hold in our minds, of someone who is outwardly depressed, reclusive and sad. As the simple but hugely powerful campaign shows, this is often not the case, and, instead, those who are struggling with suicidal thoughts might, in fact, appear happy and successful.The spot features home video footage that similarly shows seemingly happy people enjoying life, playing with children and making jokes, before it is revealed at the end that soon after the imagery was shot, they died by suicide.A 90-second TV commercial launched on ITV’s This Morning, with the TV show supporting the initiative. A broader integrated campaign also appeared in print and social, with CALM’s ambassadors, brands and partners delivering wider content.The ad was a May/June 2022 Thinkboxes winner.

  • Agency: Adam & Eve/DDB
  • Creative team: Andy Clough, Richard McGrann, Ant Nelson, Mike Sutherland
  • Client: Matt Jennings Production company: Cain&Abel
  • Director: Max Fisher

Virgin Media “Why Walk When You Can Ride”

The TV commercial begins with a close-up on a cow’s face as it heads towards the breath-taking views of the Scottish Highlands. Biking to the iconic soundtrack of Patrick Swayze’s Dirty Dancing track She’s Like The Wind, the camera follows the cow for a period of time before pulling away and leaving it to endeavour on its own adventure.And so emerges the challenge to consumers: why walk when you can ride? Displaying the cow’s quest to better herself, this film builds on Virgin Media’s commitment to challenge the status quo through its continuous quest to optimise customer experience.The playful campaign appeared throughout the UK across multiple formats, led by a hero 60” film, “Highland Rider”, directed by award-winning director Jeff Low that premiered during the England Women’s international friendly football match against the USA on ITV. Supported by a 30” spot, the film depicts the story of a highland cow who, inspired by epic biking scenes she's seen streamed over Virgin Media WiFi, goes better and beyond by taking to the tarmac on a motorbike.The ad was a September/October 2022 Thinkboxes winner.

  • Agency: VCCP
  • Creative team: David Masterman, Jason Keet, James Hodson
  • Client: Abigail Ridgwell
  • Production company: Biscuit Filmworks
  • Director: Jeff Low

The New York Times “The Truth Is Essential: Life Needs Truth”

“Life Needs Truth” is a campaign that responds to the idea that the truth  can guide us through life and help us navigate the world we live in.The work is the next iteration of the “The Truth Is Essential” campaign that shows Times journalism as part of the fabric of life.The work looks to capture the current time in the US through the lens of New York Times reporting—bringing it to the fore—and reminding people that, in times like these, we all need journalism to help us process the world.

  • Agency: Droga5 New York
  • Creative team: Tim Gordon, Laurie Howell, Toby Treyer-Evans
  • Client: David Rubin
  • Production company: Method Studios
  • Director: Kim Gehrig

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